FREE ACCESS: Fix Your Mixes in Minutes!
Producers: If You’re Sick of Being Overlooked, Here’s How to Get 3 Free Mix Fixes That Artists Actually Notice.
Get instant access to JODA™, my AI-powered studio assistant trained on 25 years in the studio. You’ll see exactly what’s holding your mix back and what to do instead in less than 60 seconds.
Get instant access to JODA™, my AI-powered studio assistant trained on25 years in the studio. You’ll see exactly what’s holding your mix back
and what to do instead in less than 60 seconds.
The Mix Gets Finished. But Yet The Callbacks Never Come.
The Mix Gets Finished. But Yet The Callbacks Never Come.
The hardest part isn’t the hours. It’s feeling invisible after them.
Endless revisions that never land. The car test that betrays you every time.
And then the scroll, another producer’s name in the credits, another callback that should’ve been yours.
And beneath it all, the same question keeps pressing…
…If my talent is real, why does it still fall apart when it counts?
Endless revisions that never land. The car test that betrays you every time.
And then the scroll, another producer’s name in the credits, another callback that should’ve been yours.
And beneath it all, the same question keeps pressing…
…If my talent is real, why does it still fall apart when it counts?
I Spent Years Asking the Same Question.
I’ve been in that silence too.
The session where the vibe dies, the mix collapses, and nobody says it out loud.
I didn’t come from a big-city studio or industry connections. I grew up on a farm in Northern California with no running water and no clear path into music.
The session where the vibe dies, the mix collapses, and nobody says it out loud.
I didn’t come from a big-city studio or industry connections. I grew up on a farm in Northern California with no running water and no clear path into music.
Eventually I made it to recording school in San Diego. Three years later, I left my day job to engineer full-time and began working with Foo Fighters, Queens of the Stone Age, and Blink-182. And eventually, the Grammy nominations followed.
Eventually I made it to recording school in San Diego. Three years later, I left my day job to engineer full-time and began working with Foo Fighters, Queens of the Stone Age, and Blink-182. And eventually, the Grammy nominations followed.
It happened because I learned how to walk into a session with presence and work from a repeatable system.
It happened because I learned how to walk into a session with presence and work from a repeatable system.
And I realized if I could turn that system into something repeatable, producers like you would never have to stay stuck in the dark again.
I Took 25 Years in the Studio and Trained an AI With It.
I Took 25 Years in the Studio and Trained an AI With It.
That’s what became JODA™, my AI-powered studio assistant.
It’s built on the BPM Method (Balance → Processing → Mix), the exact workflow I’ve used on Grammy-nominated records.
With JODA™, the fog clears. You hear exactly where your mix is slipping, and you know how to fix it. No more chasing fixes in the dark. No more wondering if you belong.
For the first time, the room feels like yours.
It’s built on the BPM Method (Balance → Processing → Mix), the exact workflow I’ve used on Grammy-nominated records.
With JODA™, the fog clears. You hear exactly where your mix is slipping, and you know how to fix it. No more chasing fixes in the dark. No more wondering if you belong.
For the first time, the room feels like yours.
And now, you can access the exact system I built my career on, through JODA™, FREE.
When you click below, you’ll get 3 personalized mix fixes, delivered instantly, ready for your session tonight.
What CustomersAre Saying
What Customers Are Saying
Hi, I’m Joe Marlett.
I grew up in a little town called Willits, California. No running water, no electricity, just a family farm, a mile walk to school, and a lot of grit. No roadmap. No connections. No shortcuts. Just stubborn work ethic and a love for making things sound good.
I moved to San Diego, dove headfirst into the studio scene, and started building from scratch. Pretty soon I had a reputation, not just for polishing mixes, but also for pulling performances out of artists that nobody else could. That led me to working with bands like Blink-182, Switchfoot, Foo Fighters, Queens of the Stone Age, and Seal. Along the way, I picked up two Grammy nominations and a passport full of stamps.
